You wouldn’t believe the stunning ensemble Hollywood actress Emma Roberts chose while giving a tour to the American daily Architectural Digest of her lavish house in Los Angeles, United States. The actress turned heads with her bandeau, vest and skirt combination that made her look like she stepped out of a fairy tale.
Emma’s resplendent ensemble featured a bandeau and skirt sourced from the renowned Italian fashion designer Giambattista Valli’s Spring Collection 2024. The A-line silhouette skirt was meticulously embellished with intricate golden detailing, adding allure to her overall look. She paired the skirt with a nude-coloured bandeau. Layering over the bandeau, she adorned a sheer sweater vest from the luxury clothing brand Brunello Cucinelli, featuring a patterned bodice that perfectly harmonised with her skirt’s intricate details. The actress’ overall attire carried an essence of Indian lehenga style, blending modernity with traditional elegance.
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When wearing such an exquisite outfit, Emma embraced a minimalist approach to accessories. She opted for a layered neckpiece and statement ring from the jewellery brand Ben Shoppe, letting her majestic attire take centre stage.
Her makeup was understated yet subtle, with a flawless base complemented by a nude eyeshadow, contoured cheeks, and a nude lip shade. Emma’s blonde tresses cascaded perfectly over her shoulders and neck, styled in soft loose curls, adding a touch of glamour to her overall look.
Emma recently purchased a lavish home worth $3.6 million in Los Angeles. “The home is like a womb,” the actress shared with Architectural Digest.
She resides in the house with her 3-year-old son Rhodes, from her past relationship with Garrett Hedlund. To revamp the interiors, Roberts enlisted the expertise of Louisa Pierce and Emily Ward from the renowned AD100 firm, Pierce & Ward to overhaul its interiors.
“I haven’t always had that — I think I lived in 10 houses by the time I was 15 — so for me now, having a son, I wanted a place that felt really ours,” she added.
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